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2019
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With humour, thoughtfulness and anarchistic kicks at habitual thinking Hannah Toticki Anbert asks what consequences the aesthetics of the cultivated landscape has for the biodiversity.
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The exhibition sheds new light on this prominent, committed and political artist, whose simple and present depictions particularly influenced the 1970s Denmark.
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With her film cabarets, Kirsten Astrup sheds light on institutions such as the state railways and national postal service - and a welfare society undergoing changes.
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The exhibition shows a meticulous selection of works from the museum’s graphic collection, while providing an impression of the many applications of graphic techniques.
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In this exhibition Martin Erik Andersen draws upon a broad register of references to art, cultural history, metaphysics and mythologies about life and death.
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This exhibition is showing a selection of African masks from Poul Holm Olsen’s collection of traditional African art. Explore the universe of the masks via a screen.
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In 1982, the Astrid Noack Scholarship Foundation decided to deposit the artist’s original plaster models, sketches and archives at the museum: the Study Collection.
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The 1990s saw a revival of neo-expressive and neo-figurative painting. Tal R, Jonathan Meese, and Daniel Richter work within this new approach.
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John Olsen, Inge Lise Westman, Kirsten Klein, Lene Bødker, Pipaluk Lake, Tobias Møhl and Emil Westman Hertz all mirror a spirituality in their works where nature is animated by forces beyond commonplace human perception
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She had a mind of her own, was unimpressed and unruly. It has been 40 years since Olivia Holm-Møller passed away, but her works of art are stil standing tall.
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